Fringe
Episode 9: Black
Blotter
By: Carlos Uribe
Fringe
is a show about a small team of people who are trying to save our
world from the Observers.
Spoilers
Ahoy!
Fringe
has a tradition of going crazy every nineteenth episode of each
season. The second season had a musical episode, the third season it
was animated, and the fourth was set in the future. These episodes
not only broke form and style but they managed to always find a way
to belong on the show. The musical is a story made up by Walter to
entertain Olivia's niece. The third season was Peter entering
Olivia's mind in order to save her and as a way for the series to set
up who is going to kill her. The fourth season acted as a secret
backdoor pilot to the final season. This fifth season isn't going to
have a nineteenth episode but it makes sense that the ninth episode
takes it's place. This is a an episode that is very score-oriented,
has animated sequences, and is set in the future. It is like a
combination of all the previous special episodes that had broken form
but they remained within the Fringe universe. The future setting is
similar to the rest of the season as it's the timeline but the
animated sequences are due to Walter dripping on acid. Black Blotter
manages to also advance the plot in a significant way while
continuing to deal with Walter's inner struggle with the man he used
to be and the man he has become. An inner struggle that is
externalized with Walter's hallucinations of his former assistant.
Black Blotter is yet another brilliant entry into this final season.
It's
true that Black Blotter advanced the plot in a significant way but it
really isn't a large one. The plot development is that the characters
are able to track a radio signal and find Michael, the little
Observer kid. The entire episode is them getting the kid back. This
is integral to the major plan to bring down the Observers but the
episode didn't make any other contributions to the plot. Donald's
identity remains a mystery along with his whereabouts. The Observers
aren't weakened, the plan is still unknown, and this episode barely
touches on Peter's disconnection from the Observer machine. The
latter makes sense since this episode concentrates on Walter and it
does have some scenes relating to it. It's just that considering how
recent it was, you'd think it would have a bigger impact this
episode. The episode might not have moved many pieces of the
serialized plot but moving the single one it did was very fun to
watch. Whether it was the team taking out a squad of loyalists or
finding the old battlefield between Sam Weiss and the Observers, it
really did feel like constant action while making the Fringe world
feel more real. Having the battlefield makes the rebellion feel like
it actually happened but having Sam Weiss be a victim was a way to
make it feel like it actually happened on the show Fringe. This isn't
just some random dystopian future but one that happened in the Fringe
world.
A
large part of the reason that the journey to getting Michael back was
Walter's acid trip. His conversations with his old assistant might
have been a bit-on-the-nose, if justifiable, but it's the more odd
elements that made it work. While the fairies were a nice touch, I'm
talking about the part of the episode where it became a Monty Python
cartoon. The cartoon was a visual way for Walter to reach the
password they need to get Michael but it was an inventive technique
to get there. That the series used the acid trip to develop the plot
in such a way helped make this episode memorable. That wasn't the
only time where the acid trip really worked in it's favor: the scene
where Walter thinks he took a cab to an Observer base was a strong
one as it visually played with the fears of his own actions. The most
powerful moment of the episode came when Walter hallucinated a home
video of what occurred when he went to the other universe to get
Peter. It is a bit disappointing that in such a strong episode with
visual cues like this that it resorted to using the assistant to
develop a lot of his internal crisis. It makes sense and it's
justifiable but it feels rather weak compared to the other techniques
that this very episode employs.
Fringe
might have moved to the future but it's concentration on characters
remains true. Even the background emotional scenes to this. Peter is
largely dealing with the emotional fallout of having used Observer
technology and leaving Olivia behind while she largely forgives him.
The real focus of the episode isn't on those two but on Walter. A
recurring element of the season has been that Walter is afraid of
regressing into his old self. He's hoping that his son will be able
to save him but he's also trying to have his actual brain piece
removed once he remembers the plan. That's part of the reason he took
the acid: he was hoping it would unravel the plan for him. The entire
episode's premise is built on Walter's character but so is everything
he ends up seeing. Black Blotter simply wouldn't have worked if
Walter had gone on a random accidental drug trip or if the
hallucinations were crazy without meaning. It needed both elements
for it to truly function. A large note is that it's a bit shocking to
see a character on network television using hard drugs and there
being no real reaction from any groups. There might be a blessing to
being a low-rated Friday night show after all.
Black
Blotter is an episode that allowed the plot to make a small step
forward but kept the journey interesting while concentrating on
Walter's character. The series probably shouldn't be moving so slow
as we're getting pretty close to the end-game now. There are after
all only three episodes left before the two-hour series finale. At
the same time, this is such a great episode on it's own that I
couldn't imagine the season without it.
No comments:
Post a Comment
Please be respectful of people's opinions. Remember these reviews are MY opinion and you may disagree with them. These are just TV shows.
Note: Only a member of this blog may post a comment.