Nashville
Episode 3: Someday
You'll Call My Name
By: Carlos Uribe
Nashville
is a series about the country music scene and the political scene of
Nashville. I will be covering this show weekly.
Spoilers
Ahoy!
When
you want to create good drama, you want to force characters to face
their issues. Juliette's mother has been established as a drug addict
and she's been trying to push her away. Her mom refuses to just leave
as she sees Juliette as a source of cash. She wants to convince her
daughter to give her money so that she can keep up her drug habit.
Juliette knows this and that's one of the reasons she doesn't want
anything to do with her mother. The other reason is that her mother's
drug history meant that she was absent when she needed her the most.
The show brings Juliette's mom and it keeps pushing her in Juliette's
life. She shows up at the label and they're forced to give her money
so that she leaves. She goes to the studio to try and talk to her
daughter before she's intercepted by her producer. The third time has
the mother going to Juliette's gate and trying to force her way in.
She's sent away but she gets arrested with drugs in her possession.
Juliette is forced to allow her mother to temporarily move in with
her until they can arrange her mom's return trip to Alabama or a
return to rehab. Juliette's mom has been able to force her way into
Juliette's life but that doesn't mean that she has to accept it. This
mother issue is so important to Juliette that she admits that the
song Undermine is really about her mom. How her mother had undermined
her despite her good intentions. Her return to her life, along with
Deacon's rejection of her, leads Juliette to commit shoplifting and
she's caught on tape. Why does Juliette steal? It's a coping
mechanism for her.
The
relationship between Rayna and her father is also a focus of this
episode. Rayna and Teddy are having financial difficulties and
they're trying to find solutions. The suggestions for Rayna to go on
tour with Juliette or to accept help from her father are simply out
of the question. They decide to try and create a line of credit with
a bank but this looks like it's not going to happen. That's because
the credit union is being forced being audited and this makes Teddy
nervous. This threat of them being on the verge of financial collapse
might not be the most thrilling drama but it does lead to some good
tension. Lamar knows of their financial difficulties and he offers a
loan. The terms required for the term require Rayna to give up her
career. This infuriates Rayna as he doesn't seem to ever support her
career. We finally get an explanation why: Rayna's mother had an
affair with a singer-songwriter for ten years. This affair had lasted
right to her death and according to Rayna's sister, it's what helped
keep her marriage with Lamar alive. Adding this dimension to Lamar is
a good one as it not only helps to humanize him but also for the
audience to understand him better. That scene where he looks at old
pictures of his wife shows you just how much he loved her. This
affair simply breaks his heart and it makes him more tragic. The loan
is turned down and while Rayna might understand her father better
this doesn't do anything to repair their relationship. This is
because Lamar is reluctant to accept Rayna's perspective.
Rayna
and Juliette are both facing parental issues but they're both
essentially fighting for Deacon. Juliette is trying her best to win
Deacon. She records one of his songs and sleeps with him. She tries
to give him a mental image of the two of them going away on the road
and leaving behind of all this drama. Rayna doesn't really put up
much of a fight. She doesn't want to do the intimate songs between
the two. Songs that he had presumably written with her and that had
begun their career. At the end of the episode, she knows that she
should allow Deacon to leave. She knows that she should allow him to
go on his tour. The thing is that to Rayna, Deacon isn't just a
guitar music. He's music. She can't separate them. She might not be
in a romantic relationship with him but she's able to love him
through their music. That's what convinces Deacon to stay. It might
not be the right move for him but he's still in love with Rayna. He
knows that it can't happen. They can't be together as he can be with
Juliette. His heart isn't with Juliette as it remains on Rayna. When
Juliette personally asks him to be on her team, he rejects her and
it's as if he was denying her very soul.
The
parent issues and Deacon provide a unifying theme among the two main
plots. The problem with the episode comes with the Scarlett story.
Don't get me wrong: it was a good plot. It's just that it didn't
really belong with the other two storylines. There were no parental
issues. Scarlett and Gunnar are trying to record their song but
Scarlett chokes. Gunnar blames Avery because he thinks that
Scarlett's afraid of giving it her all because she's afraid Avery
might leave her. He doesn't seem to realize that in reality Scarlett
was just nervous. She doesn't think she's that big of a deal and that
she doesn't really have any real talent. Gunnar might not have
realized the problem but he did provide the right solution. Avery is
able to make Scarlett realize that she might not be special but her
music is. Scarlett is merely the way to get the music heard. He
offers to be there for her but he might have another motive. A motive
to use this to try and convince Watty to maybe look at his own music.
Whatever his reasons, Scarlett is able to record the demo. It's an
ending that is tied up a little bit too nicely. Considering how the
other stories didn't have these nice endings, this plot really does
feel out of place. The ending and the whole scenes therefore felt a
bit disjointed compared to the rest of the episode.
Nasvhille
still had a pretty good episode. Most of the plots didn't just share
elements but also the same themes. The sub-plot might have felt a bit
out of place but it was still a good one. This all created a whole
that while not entirely cohesive made for some pretty great drama and
many good scenes. The music on this show remains top-notch and the
show is very much embracing it's country aspect. I'm seriously
listening to the music as I write these Nashville reviews. That's a
sign that it's not just the show's that good but also the songs
recorded specifically by the show.
Other Notes:
Rayna's children singing Juliette's song is so great even Rayna doesn't care they picked a Juliette song.
Other Notes:
Rayna's children singing Juliette's song is so great even Rayna doesn't care they picked a Juliette song.
Great review! I feel like this episode was all about making the audience feel for the preconceived bad guys. From the very first episode, I’ve despised Juliette, and soon after, I learned to despise Lamar just as much. I’m surprised that it’s only taken three episodes for me to almost care for both Lamar and Juliette, so I’m excited to see what more the writers will do in just this one season. Since I too have really grown fond of the music on Nashville, I’ve been saving the episodes with songs I love to a special folder on my Hopper. I like that I’m able to keep them organized so that I can access them easily whenever I want to listen and watch a good performance. I’ve downloaded a few songs from iTunes to play for some of my co-workers at DISH, and even though they’re not following the show, they like the music!
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