Mom
Episode 1: Pilot
By: Carlos Uribe
Mom is a
television series about a newly sober single mother raising two kids
and dealing with her formerly alcoholic mother.
Spoiler
Ahoy!
There are four elements at work to the structure of Mom. The first is
that it obviously follows a mother, Christy, trying to raise her
kids. She's a single mother whose struggling to do it on her own. She
has a teenage daughter she predictably can't connect with and a
younger son. This is a familiar premise but it's one of the other
elements that help give Mom a slightly different perspective than
other shows. The second element is that it also follows Christy's
strained relationship with her mother. This is possibly the strongest
part of Mom. The third element is a workplace comedy. Christy works
at a restaurant. I'm not entirely sure why this element is a
significant part of the series but it has two whole characters and a
major sub-plot attached to it. The fourth element is what helps set
Mom apart. It's what can potentially make the first and second
element feel fresh: it makes Christy (and her mom) a recovering
alcoholic. This basically helps add dimensions to her relationship
with her daughter, son, and mother that otherwise wouldn't be there.
It helps to explain why she's just a waitress. Three of the elements
come together to create a cohesive whole that could lead to a pretty
funny sit-com. The fourth element (the workplace) is completely out
of place. Yes, Christy as a working mother is important to her
identity. I just don't buy that we actually need to see her work or
that it has to be an important element of the show simply because
it's too different. It's possible to have both but the balance is
difficult to maintain and the pilot of Mom doesn't do a very good job
there. This structural problem can hold back Mom. It could also
learn how to balance it with the other elements so that it actually
compliments and is complimented by the first two elements. Of course,
having this many elements complicates Mom to the point where it might
not even matter as viewers struggle to connect with the show. The
structural flaws of the workplace might be Mom's undoing, it might
not be, and having four elements might make the show too busy.
All four elements are explored by the pilot. The first element has
two separate plots. A main one where Christy tries to connect with
her daughter. Her daughter is sleeping with a boy. This concerns
Christy because she's afraid that her teenager might repeat her
mistakes. At the same time, she has to find time to make it to her
son's talent show. This requires taking time off work. When she
arrives at the school, it's the wrong day. She gave up a whole payday
for nothing. She has a lot to handle on her plate as a mother. The
second element is when her mother attempts to reconnect with her
after a period of prolonged, angry silence. Christy has a hard time
allowing her mother back into her life but only buckles down to save
her relationship with her own daughter. Christy and her mom start
working on actually building a relationship. It's a good plot because
the two characters are so similar and yet there is a wide gulf
between them that stops them from having a normal mother-daughter
bond. The fourth element plays into Christy's Alcoholics Anonymous
meetings, how it has affected her relationship with her children and
mother, as well as how life keeps throwing obstacles at her that test
her resolve. The final element is played when she's sleeping with her
married boss. The relationship with her boss feels forced to begin
with but it's largely there to show that Christy continues to make
mistakes in her life. There's also a chef that likes to scream and be
mean. This is why I doubt the workplace element is ultimately going
to help the show: the pilot is already straining to integrate it into
the rest of the show. I mean the best they could come up with is
Christy sleeping with her boss? It also takes time away from the
other elements.
The main character of Mom is Christy. Anna Farris is a winning
leading lady that takes this role and simply owns it. Christy is a
fully-developed character that is attempting to rebuild her life
after alcohol has destroyed it. She's a strong network protagonist
because of her recovering alcoholism. It shows she's not perfect but
that she is trying to get better. Her path to redemption makes her a
heroine we could root for even as she does things that frustrate the
audience. It very well might give her more leeway than she would
otherwise have. The other main character of Mom is the brilliant
Allison Janney. Janney portrays Bonnie, Christy's mom. Bonnie
struggles to accept her own faults but she does want to redeem
herself at the same time. There's a reason she refuses to ask her
daughter for forgiveness (refusing to own up to her mistakes) but at
the same time promises to be the mother Christy always deserved
(redemption). The two characters are both seeking the same thing. The
interesting part about recovering alcoholics is the way they attempt
to rebuild bridges they have burned down. Just as Christy attempts to
be a mother to her teenage daughter by reconnecting with her, Bonnie
is trying to rebuild her relationship with Christy. At the same
time, Christy finds it difficult to forgive her mother for her past
actions. Christy might have become her mother but that doesn't mean
she likes her. This helps create conflict between the two of them. It
provides the show not only with a way to create conflict but also a
heart that should ground the series. It helps that Farris and Janney
already have good on-screen chemistry that helps sell the idea that
their mother-daughter. The two main characters of Mom who have a rich
and even compelling relationship.
The rest of the cast will need to be understandably developed as the
series goes on. Christy's daughter, Violet, is a typical teen girl.
She's rebellious, likes to party, and has a hard time connecting with
her mom. Christy's son, Roscoe, is a little more naive and he does
desire his mom's attention. The two kids aren't developed much in
this episode. We do meet Roscoe's dad, Baxter. Baxter is not the dad
of Violet which makes me want to know the backstory a little more.
Anyways, Baxter is basically a typical dumb pothead kind of
character. Matt Jones plays the character type well. Violet's
boyfriend, Luke, is a member of the main cast. Luke is very similar
to Baxter except I don't think we see him with a shirt on. That's the
only difference beyond their age. The workplace element of the show
has it's own couple of characters. The first is Gabriel, Christy's
boss. Gabriel is the boss who is married but secretly seeing Christy.
He doesn't have much of a personality at this point beyond being a
mistake for Christy to make. I like Nate Corddy and I hope he's given
more to work with in future episodes. The final character is Rudy.
Rudy is a chef who is really into food, is mean to his employees, and
only cares about himself. I like Rudy but he is just a stereotype who
has no unique relationship with Christy. Which begs to call into
question on why he needs to be in the show in the first place. The
side characters are presently all flat but I wouldn't be surprised if
they get more dimension as the show goes along.
Mom is the latest offering by legendary producer Chuck Lorre (The Big
Bang Theory, Two and a Half Men, Mike and Molly). It's a funny enough
pilot that promises a strong series. A series that has four
elements-even though one is out-of-place at the moment. The home life
is familiar and the workplace needs to be integrated better but the
recovering alcoholic hook helps provide the show with a fresh
perspective. The two main characters and their relationship with each
other is very strong. The side characters need to be developed more
but that's typical of a pilot. Overall: a strong pilot that should
provide CBS with a consistent performer.
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