Once Upon a Time
Episode 16: The
Miller's Daughter
Episode 17: Welcome to
Storybrooke
By: Carlos Uribe
Once
Upon a Time is a show about fairy tale characters who got sent to our
reality, which has magic now.
Spoilers
Ahoy!
The Miller's Daughter:
The
fairytale flashback in this episode has to do with Cora. This whole
time her character's motives have remained in question and this
episode does a lot to add dimension to why she's evil. She didn't
start out that way as she chose her path. She grew up the daughter of
a lazy miller's daughter which meant she had no respect in the
hierarchical fairytale world. She resents the royalty for this but
gets herself in a troubling spot when she claims to have value
because she can spin straw into gold. The kingdom is in debt, because
they always are in this show, so this means that her skill would have
a lot of value to the king. So much value that he decides that if she
can do it then she can marry the prince. She can move up in the
world. If she doesn't then she's going to die. It's a pretty bad
scenario but Rumpelstilskin swoops in and saves her. He does more
than that as he teaches her magic and how to rip hearts out. The two
become more than friends as they actually sleep together. Cora's
desire for revenge is so strong that she decides to get rid of her
heart because she sees her love for Rumpel as a distraction that will
guide her away from her goal. Without this heart, she never really
could love her daughter nor could she ever truly be good. She became
evil because she wanted to not only be seen as having value to
society but also because she wanted to bring the royalty down a peg.
Those motives are real and human. Her quest against Snow's mother
makes sense now because it was her character that first made Cora
feel worthless. The flashbacks were essential to our understanding of
the characters but also in helping to establish the relationship
between Cora and Rumpelstilskin.
This
is partially what makes her death so tragic. Mr. Gold is dying from
the poison but he has a way to save himself. If Mary Margaret can use
the candle on Cora then he'll be able to live. Mary Margaret isn't
sure if she wants to do this at first but she goes through with it
before regretting it immediately. Her instructions are simple. She
has to take the candle and find Cora's heart in Regina's tomb. She
must use the candle to curse Cora. She then has to find a way to put
Cora's heart back inside her body. She manipulates Regina into
helping her. She claims that she wants to save Cora but the only way
is for her to be able to feel love. Without a heart, Cora can't do
that. Regina inadvertently kills her mom by trusting Mary Margaret.
The heart goes into Cora and for a fleeting second Regina sees
maternal love for the first time in her life. It's a brilliant moment
that works for multiple reasons. The first is that the flashbacks
made us understand Cora as a human being. The second is because
Regina might be evil now but it's still sad to only give her a brief
moment where somebody actually loves her. The third is because Cora's
corruption of Mary Margaret works. She does chose to kill somebody in
order to save another life. That was partially her plan this whole
time and she succeeded. In doing so, it led to her own death. That
Mary Margaret immediately regrets it simply adds to the sadness of
that scene. Sure, a villain who was dangerous to our characters died.
It's still a scene that made me feel sad simply because for a brief
moment we got to see Cora as a human being.
The
Miller's Daughter is one of the best episodes of the season and even
the show. It's one that turned what had been a two-dimensional
character up to this point and gave them depth. It actually made her
death seem tragic rather than a moment of victory for our characters.
The flashbacks were well used in connection with the main plot. Just
about everything in this episode worked. The narrative momentum also
really picks up speed with the way Cora died. She didn't just get
killed by the good guys. They used Regina to kill her. That's going
to send Regina into a dark side and it's actually going to make
sense. Regina becoming a villain because her mother said so was never
really executed well but having her accidentally kill her mother? A
perfect way for the writers to really sell the idea that she's going
to be acting as an antagonist.
Welcome to
Storybrooke:
This
episode doesn't really have a fairytale flashback as it instead
decides to show us Storybrooke from it's early days before Emma came
into town. The curse has happened and Regina feels victorious. She
believes she has gotten her revenge. The only flaw is that a man and
his son happened to be camping near the town's location. They stumble
upon the town after the storm that came with the town knocked a tree
into their car. Regina is suspicious of these strangers at first so
she ensures that their car is fixed as soon as possible. Regina's
happiness is thwarted when she realizes that the curse has made
everyone a little too complaint. She doesn't want them to do what she
says because they have to but because they want to. She's bored
because she doesn't really feel like she's earning her power. The
curse might have been her revenge but it made life too easy. This
means that without any challenge, her life is really dull to the
point where it's repetitive. It doesn't help matters that the town is
stuck on a Groundhog Day loop where everyone basically repeats their
days. That's where the strangers come in. The son is a free spirit
who provides her that challenge. She desires that he wants to please
her so badly that she's willing to arrest his father and do anything
to keep him in the town. He manages to get away by crossing the town
line. It's a nice way to show just how desperate Regina is for
someone to love her. It makes the pain of losing her mother just as
she showed love that much more tragic and helps explain her actions
in the present. The flashbacks are also a way to get the stranger who
came into town more relevance into the story as he's a grown-up
version of that little kid. He didn't just happen to pass by
Storybrooke by chance but because he was looking for it. A pretty
good twist.
The
present day has two characters reacting very differently from Cora's
death. Regina wants vengeance. She wants to kill Mary Margaret
because she got tricked into killing her own mother. She doesn't want
to lose Henry in the process. She finds a spell from her mother that
she believes will allow her to have everything. She'll kill Mary
Margaret and use a spell to make Henry think he loves her. He won't
actually be love her but he'll be under the impression that he does.
She thinks this will allow her to win over her son while finally
allowing her take care of her enemies. She does decide against the
spell because of Henry. He makes her realize that fake love isn't
going to be a good substitute for actual love. She puts off her
mission of revenge but that doesn't mean she's going to be friends
with out characters. Snow feels guilty over everything that's
happened. She is completely devastated over her role in Cora's death
to the point where she largely can't do anything but stay in bed.
The guilt devours her so much that she actually goes to Regina to beg
for her death. Only Regina won't do it because she knows Henry would
hate her. She does point out that Mary Margaret's heart is getting
darker and that she doesn't have to do anything to defeat Snow's
family. Mary Margaret is going to do that all on her own. She
believes that she'll be able to have anything. It's certainly an
interesting place for the show to go with corrupting Snow.
Welcome
to Storybrooke is a pretty great episode of Once Upon a Time. It
relies a little bit too much on Jared Gilmore to be completely sell
itself but the narrative is strong on it's own. The flashbacks once
again really fit well with the actual episode but I have a small
complaint. It was sometimes a little difficult to really keep a track
of which decade we're in. That's partly because the producers
mystifying gave the characters modern fashion senses when it was
supposed to be the eighties. There was one scene I at first thought
had taken place in the past before realizing I was mistaken later on.
It would have been nice if the show had found a smoother transition
rather than merely relying on easily-missable “PRESENT DAY”
words.
Other Notes:
When
Benjamin Stockham was in that opening scene, I thought I had somehow
stumbled on 1600 Penn by accident.
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