1600 Penn
Episode 2: The
Skiplantic Ocean
By: Carlos Uribe
1600
Penn is a show about a normal family that happens to reside in the
White House.
Spoilers
Ahoy!
There
was a primary flaw that really popped out during this episode. It
wasn't really noticeable in the pilot as I was getting to know Skip
and the world the show was trying to set up but it became very clear
this week. That flaw is that the show is that there seems to be some
confusion by the actors, the writers, and the directors on how to
properly do a single-camera series. The primary difference most
people notice between a single-camera and multi-camera comedy is the
absence of a laugh track. Laugh tracks only appear in multi-camera
comedies because of the more subtle differences. A single-camera
comedy is shot more like a modern-day television drama or like a
movie. A multi-camera comedy is shot more like a stage play, often
with a live audience. This different style requires different
techniques of writing and acting. Multi-camera comedies are more
reliant on the traditional punchline method and slapstick comedy to
deliver the jokes while single-camera comedies have to depend more on
character and plot to make people laugh. Single-camera shows still
have punchlines but they tend to be less obvious and more naturally
integrated within the actual show. The problem that is plaguing 1600
Penn is that it's supposed to be a single-camera comedy but it's
being done like a multi-camera comedy. If you just add a laugh track,
it would feel right at home with other multi-camera comedies.
There
are two solutions to this problem. The first is to add a laugh track
and make it more like a stage. This wouldn't be such a bad thing
because it seems like the actors would be more comfortable with that.
Josh Gad is a funny actor but he made his fame with the Broadway play
The Book of Mormon. Allowing
him to play in front of a live audience might make him feel more at
home with the show. Jenna Elfman might be a sit-com veteran but she's
used to starring in multi-camera roles. She's currently the best
asset that this show has but even she feels a little bit like she's
getting used to this new style. Bill Pullman merely looks like he's
trying to get into his character and he might be the only one who
might struggle with a shift to stage. The writing itself would really
fit well with a live audience or a laugh track. 1600 Penn is already
being made as a multi-camera comedy so the shift wouldn't be so
dramatic. The major problem with this is that NBC is primarily a
single-camera network. This might hurt the show's chances of coming
back or properly fitting anywhere within the schedule. Changes likes
also tend to rarely work. This is a problem that can only be taken as
long as the producers and actors involved don't get used to a
single-camera project because otherwise it might be too late. This is
therefore a solution that the series probably won't be able to take
even if it seems to be the more natural one to take.
The
second solution is to have the producers and actors adjust their
performances and the writing to work within a single-camera comedy.
This is going to be the solution the show has to take because they're
locked into it. This isn't necessarily a bad thing and it has the
potential to be a hilarious single-camera comedy. It's just going to
have to take time to allow the show to grow into itself. The major
problem with this is if the viewers are going to have patience to
watch the people involved figure this thing out. The Skiplantic Ocean
seems to hint that viewers will ditch this and the ratings will sink.
Why? Growing pains are fine with a show as long as it remains
consistently funny and entertaining. The Skiplantic Ocean largely has
lame punchlines, predictable jokes, and it's still struggling with
issues of characters and their relationships. Even if the show was
being shot to the proper style, it would still have massive problems
with it's writing.
There
are a few things the show is going to need to learn as well. Skip is
funny because his good intentions constantly lead to him making the
situation worse. The problem is that he can also get very annoying.
The show is going to need to learn when to properly use him so that
he can cause a storm of chaos without causing the audience to change
the channel. Finding that balance is going to be crucial in order for
the show to work. The second is that it needs to go to places that
aren't completely obvious. Of course the President is going to take
his family troubles to his generals and of course they provide him
with the advice needed to figure out what to do. It would have been
funnier if the generals actually gave out terrible advice as fathers
because they're too rigid into the establishment or something.
Granted, the only time that the show felt like it was an actual
single-camera comedy was when the two general daddies were
interacting with each other.
1600
Penn is a show that could one day be very funny-but it first has to
survive and it's doubtful this will come back for a second season. It
simply doesn't have the good jokes it needs that allows viewers to
sit through the show as the producers figure it out. The Skiplantic
Ocean only shows that this series has enough problems to fill an
ocean.
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