Broadchurch
Episode 1.1
Episode 1.2
By: Carlos Uribe
Broadchurch
is a show about a small town that gets rocked by the murder of a
young boy.
Spoilers
Ahoy!
The way that death affects a community is a fascinating and
compelling subject. As we go through our life, we form connections
with people and influence their life in some way. It doesn't have to
be a big influence but it's all very meaningful. This impact can be
diluted in a big city where there are millions of people but it can
really be felt in a small town. Everybody knows each other and the
importance of the connection can be magnified. When somebody passes
in a small town, it can affect the entire population. It becomes more
tragic when a person is murdered. It can tear the bonds of the
community to it's brinks because it means one of the members is a
killer. Make the person who died a small boy and suddenly everything
becomes more tragic, the killer more devious, and the impact carries
more power. Broadchurch was a series conceived because the creator,
Chris Chibnall, wanted to explore how a death might impact a
community he grew up in. He's not the first person to be interested
in this. The popular cult series, Twin Peaks, followed the
investigation of the murder of a girl in a small town. The town of
Twin Peaks was based on the town David Lynch, the creator, was raised
in. The Killing is a Danish series that likewise follows a
twenty-four hour investigation into a murder. It's set in a city but
it still explores the personal impact the victim's death can have on
the immediate community. The American adaption is similar even if it
breaks away from the twenty-four hour format. It makes sense that the
British would make a series that follows in that same vein.
Broadchurch isn't completely original although it does mix things up
by changing the gender of the victim. It is a compelling drama that
manages to explore the multiple layers of a boy's murder: the
investigation and the impact it has on the community. There is an
answer at the end of the series (there will be a second season that
presumably deals with a second murder) which will hopefully satisfy
the fans who watch. It is good enough that it justifies a current
attempt to bring this series into our country. Of course, whether
that adaption can live up to the original will be up in the air until
it actually airs. It is encouraging that it will have the same
creator.
The plot of Broadchurch is a compelling and dark one. It's dark in
the subject matter and how the death of the boy basically dominates
the show. After everyone knows he's dead, it's impossible for this
not to happen. This is not a very happy show which is accentuated by
the constant use of slow-motion, sad classical music, and general
execution of many scenes. It perhaps resorts to the slow-motion
effect a little too often, as if the producers are worried that's the
only way people will get that these people are grieving or under
pressure, but it's still effective most of the time. The actual
narrative is very smart as it's able to actually make almost
everybody a potential suspect. The ending montage is ultimately what
hooked me into coming back for future episodes. It basically was a
reveal that the people whose lives were connected to him were the
suspects. It's a powerful idea because it makes you wonder who to
trust and promises to reveal all of their secrets. The writing is
sharp in the sense that the writers know what their doing. There is
no question they know who the killer is and they know how to get us
to that information without seeming too contrived. Now, granted, this
is just the first couple episodes but the first impression is that
this is a tightly-written show where every clue will have it's own
day. Where everything could make sense in the real world. The
investigation not only promises to be smart but so does everything
around it. The emotions these people feel real while the use of media
has been pretty interesting. Broadchurch isn't just exploring the
investigation and the impact of death but also how the media is
playing into both. This is especially relevant for a British show
after News of the World hacked phones in order to get scoops.
Broadchurch is a show that has a compelling, tight narrative that is
relevant in it's own country.
Broadchurch is an ensemble drama as it has multiple parties. The main
police officer is Alec Hardy. He's an experienced detective who is
forced to go to Broadchurch after he botched a previous case. He's
seeking redemption in what is basically his last hope. This is a
common way to set up a protagonist so that they can be a vehicle to
introduce the audience to the town. He's not the most original
character but his hard-boiled cynicism is a great match for his
optimistic partner. Ellie Miller is a bit angry that he got the
promotion she was seeking but she does contribute to the case a sense
of knowing who these people are. This might make it difficult for her
to be objective but she can tell when people are acting strangely or
help fill in the history of the characters. The immediately strained
relationship between Alex and Hardy is a strong one that can help
anchor the show through multiple seasons. Their boss is Elaine
Jenkinson but she doesn't make much of an impression. This part of
Broadchurch is strong and it wouldn't be surprising if it's the one
constant as the show goes from one murder case to another. The main
family affected by the murder is the Latimer one. The mother, Beth,
faces the normal reception you would expect from a mother beset with
grief when she finds out her son is dead. Her story gets a whole
other layer because she is pregnant. She just lost a child while
carrying another? The emotions she must be going through must be
pretty complicated. Mark, her husband, is largely angry as he's
struggling to accept his son's death. The sister, Chloe, is a little
more composed. She's still angry and sad at her brother's loss but
she does have other sub-plots such as dealing drugs and having a
secret boyfriend. The Latimer family is compelling because of their
loss but I doubt they would be interesting without it. There's
nothing wrong with this at this point but it is an inherent weakness
that is hard to shake off.
The other main family of the show is the Miller family. Ellie is
married to Joe, who is trying to be the best dad he can be. Her son
is Tom, the best friend. His reaction to finding out his best friend
was killed? Shock but he also proceeds to delete his e-mails and text
messages from him. This suddenly becomes very interesting. The show
has a journalist component. The main character seems to be Olly,
Ellie's nephew, who wants to be more than just a reporter for a small
town where nothing usually happens. This murder is a chance for him
to get close to a reporter from the Herald, Karen. Karen is sick of
press releases so she goes to Broadchurch for some real
investigating. The boss is Maggie, who realizes the importance of
having a strong relationship between the police and the media. When
the media breaks down that relationship is when investigations can be
hurt. The media characters are strong enough even if they deserve
some more development considering how important they are to the
narrative. The rest of the characters are people from the town and
their all strong enough to be memorable in their own way. I'll admit
that Broadchurch could use some character development when it comes
to most of the families but that's largely because the death of the
boy dominates most of the show. It's hard to develop characters when
most of the characters are dealing with the impact that his death has
on them.
That is ultimately something that is a weakness to Twin Peaks, the
Killing, and Broadchurch. They all begin with the murder of a boy
that shakes up the status quo but none of them have dedicated any
time to establishing it first. We get a hint of their lives before
it's changed forever by the murder. We might get flashbacks to help
develop who the victim was but it's a bit difficult to connect when
that's all you get about him. A pilot is supposed to establish what
the series is about but surely there must be a way to have this kind
of show where you get to meet everyone (including the victim) before
the murder happens. No, I don't count the opening shots as really
getting to know them. Those are mere hints to their lives and rarely
can we glean anything significant about who they are. Broadchurch is
a smart show with a compelling premise and strong enough characters
but it could have been a lot better if we had a bit more time with
the status quo.
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