Ray Donovan
Episode 1: The Bag or
the Bat
By: Carlos Uribe
Ray
Donovan is a show about a “fixer” for rich people having to deal
with his family life.
Spoilers
Ahoy!
Scandal is a show about a group of lawyers who use their skills to
help their clients navigate through crises. The central figure,
Olivia Pope, is stuck in a love triangle with a President because she
can't control her emotions around him. She can't handle her own
crisis in her love life even as he handles the crises of the people
who pay her. House of Lies is a show about management consultants,
who are usually brought on board to solve issues their business
clients are facing. The central figure is Martin Kean, whose own life
is hardly put together. ABC is preparing a show called Mind Games
about a firm who uses the science of manipulation to solve the issues
of their clients. The two brothers running this firm are flawed in
their own ways: one of them is bipolar while the other is a convict.
This new show, Ray Donovan, is a show about someone who makes the
problems of the wealthy in Beverly Hills go away. He fixes their
problems for a fee. It comes as no surprise that he is a complicated
figure who can't keep it in his pants and whose family members are
clearly broken. I guess it makes sense that this new sub-genre of
crisis management shows have a central figure who can't control their
own life. There's a sense of irony there that is too delicious to
ignore. It's also what helps tie the drama from one episode to the
next as the characters deal with their weekly crisis. This leaves
room for serialization in what could easily be a procedural. So the
question is if this latest entry to the new crisis management
sub-genre is any good or not. Is it as good as what is currently the
top of the small sub-genre (Scandal) or it as troubled as the worst
the genre has to offer (House of Lies)? It is it in the middle? All I
can say is that Scandal has nothing to worry about. Ray Donovan isn't
as bad as House of Lies but it's sure boring.
Ray Donovan actually plants a lot of interesting seeds that should
make this more of an interesting show than it is. There is the former
mobster who just got out of a long prison sentence. He's re-entering
a world that has changed since he left it. His relationship with his
son, Ray Donovan, is strained. There is the brother who has Parkinson
disease and who holds on to his glory days of being a boxer. His
other brother is an alcoholic who continues to deal with the abuse of
being raped by the family priest. Ray's relationship with his wife is
strained as he keeps stepping out on her. All of these elements
should spell a lot of compelling content for the series to explore.
The problem? I'd say that the pacing, tone, and just overall
execution of Ray Donovan stops any of these from really being
interesting. The actual case of the week is so muddled in how it's
written and directed that it sort of falls apart. It's disappointing
but the whole of the pilot of Ray Donovan simply suggests a show
that's covering a lot of material but that there isn't going to be a
strong coherent whole that ties it all together. It's all too boring
and the pilot lags at many parts. It's a chore to get through all 58
minutes. It's possible for future episodes to improve but I'm not
inclined to check back on this show. I simply wasn't hooked and the
curiosity I had in most of the plots largely evaporated as the pilot
churned along. Sometimes a shorter episode is actually better as the
restraint leads to a tighter narrative. A lot of people complain that
in network television you can't let a moment breathe: I think Ray
Donovan proves that's not always necessary a bad thing. Sometimes you
can let a moment breathe for too long.
The most frustrating part about Ray Donovan is the main character.
There's a part in the pilot where one of the clients basically states
he likes Ray because of the mystery in the character. I'd say that's
a huge problem: Ray is a mystery. He's a mystery from the beginning
of the pilot to the end. Now there is nothing wrong with a little
mystery but that seems to be all there is to Ray. He sleeps with that
singer for seemingly no real reason other than her insistence that
he's into her. It honestly feels like the writer has no real handle
on the character and is having him act based on what the writer feels
will build a complex character without actually having any complexity
to a character. At the end of the episode, I didn't feel like Ray
Donovan was a complex, compelling character that I wanted to figure
out. He's simply someone who probably slept with the singer because
this is Showtime and that's what protagonists on Showtime shows do:
sleep around. I'm guessing future episodes are going to actually have
to develop the character and give him reasons for why he does what he
does. They might not explain the latter but that's okay as long as
they exist. At this current stage, I'm simply not convinced they do.
As a note, Liev Schreiber does a great job in giving Ray the alpha
wolf personality that the character should have. You are convinced
that he's able to solve these issues in the way that he does. It's
just a pity that the writing isn't there to actually have a character
for the actor. He's simply a well-acted shell at the moment.
As for the side characters, there's quite a bit of them. Ray is
married to Abby and here I have a small complaint. It's a nice tough
to give Abby an accent as she's from South Boston (or New Jersey). It
makes sense that she would have such an accent. The problem? The
whole family is from South Boston but she's the only one who has an
accent. Her husband, kids, and the family she married into all speak
without an accent. What? It's just a bit odd and distracting that
while everyone around her is speaking normally, she employs a heavy
accent. It's worse that it can be difficult to understand what she's
saying at key points of the pilot. I've had to backtrack a few
moments to get what she was saying. The character is largely just
there to complain about her life or something. They have two kids but
their largely there in the background, more talked about than
anything. One of the brothers, Terry, is defined mostly by having
Parkinsons and his boxing past. The other brother, Bunchy, was abused
by a priest and is an alcoholic. He has a half-brother he learns
about in the pilot, Daryll, but that's all we learn about him. I'd
say that the pilot had only one miscast character and that was
Bunchy. Dash Mihok simply doesn't seem at home with the role. Ray's
right-hand man is Avi but that's as far as his character is
developed. Same with Lena, the press agent. The father, Mickey, is
largely defined by his past and going crazy with the drugs and sex.
He has two bosses that made more of an impression but their only
recurring.
Ray Donovan is a show that fans of the sub-genre might want to check
out but I find it hard to actually recommend this show based on the
pilot. It's slow-pacing and execution simply means that none of the
interesting elements really come together. The titular protagonist,
Ray Donovan, isn't compelling because he's too weakly written to
really come together. A large problem, I think, comes down to focus:
is this a show about Ray's work life or personal life? What is this
show about thematically? The pilot contains no answer to this
question. Ray Donovan is the next big show by Showtime but it
ultimately doesn't come together to form a cohesive whole. It might
improve by the end of the season but it's currently not a very good
show.
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