How to Live with Your
Parents (For the Rest of Your Life)
Episode 7: How to
Stand On Your Own Two Feet
By: Carlos Uribe
How
to Live With Your Parents (For the Rest of Your Life) is a show about
a single mother who moves in with her parents right after a divorce.
Spoilers
Ahoy!
I've noted how this show
works best when Natalie is somehow the center of the plot even if
she's not actually present. This certainly remains true but this is
the first episode where the plots worked without having her in the
middle. It's not dealing with the most original plots. Polly is
annoyed because her parents don't respect her as a resident. When her
co-workers suggest this may be because she doesn't pay rent, Polly
decides that she's going to start paying for her own way. It's
complicated because she doesn't actually have the resources to do
this. She finds out that her bank account keeps going up because her
parents give her money. She had thought she was just good with money
but her parents were merely ensuring that she has some money to
spend. Polly is disappointed when she finds this out but she swears
to turn things around. She wants to be financially independent and
she doesn't want to freeload at her parent's house. Her solution is
to get a second job but this quickly backfires. She's already a
pretty bad employee at the grocery store she works at so this is
basically a spell for disaster. She accepts a job at her father's
comedy club. I'm going to admit that while I remember Max talking
about a comedy club he was building in the Academy Awards episode,
this is the first time where it really clicked that's what his
occupation was. At least we're starting to find out more about their
lives as his job is basically clarified to the audience. Anyways,
Polly gets a job at the club but she's a terrible waitress. She
struggles to carry people their orders. She's transferred over from
waitress to other fields but she keeps bombing at all of them. She
gets stuck behind the bar but she finds out that the people at the
club resent her. They know that the only reason she has the job is
because her step-father owns the comedy club. She didn't get the job
because she earned it and her poor performance isn't going to get her
fired. Max is too proud of her determination to be able to stand on
her own two feet that he doesn't mind that she's terrible at both her
jobs. Polly eventually quits even though this is difficult for her
but she does get some money by posing for a nude artist. She doesn't
start to pay rent because she decides to finish college. Which
confused me because I was under the impression she had already
graduated. It would be nice if the character backgrounds were
well-established by this point.
I'll admit it's not the
most original plot in the world. It's been done many times by
numerous shows. It's not like it even offers a fresh perspective.
This is not going to go down as textbook as revolutionary but that's
okay. The plot offered enough energy and dedication to make it work.
It was consistently funny and it managed to find a heart for it as
well. Polly's quest for financial independence and respect in her
household is relatable and makes sense with the character. He fear of
disappointing her father provides good conflict while the at the same
time helping to ground her decision to fake a mental breakdown. In
other words, it works because the series is able to adapt the plot to
it's characters. It works because it's able to apply a heart to
it-something that the writers have so far only been able to apply to
the Natalie-centric plots. If this episode proved anything it's that
the writers are able to craft a good episode without need Natalie to
make it work right. It's a sign that the writers are figuring out
what's working and what's not while finding the heart of the
characters. This plot might have been basic but it managed to at
least increase the expectations of what this show could have done if
it had been given a chance to come back for a second season. Yes
there were still problems-the fact that I'm learning basic info about
the characters and some of the jokes fell flat. The co-workers seem
superflous in the long-run because they ultimately don't do anything
other than provide Polly the inspiration to make it on her own two
feet. Her decision to go back to college seems to come out of nowhere
as they was nothing to indicate that she was even thinking about
this. Those are issues that exist but there the kind of problems that
future episodes would be able to eliminate. They could remove
redundant elements and develop the narrative more tightly.
The sub-plot of the
episode has to do with Julian and Elaine. It doesn't work as well
largely because Julian's character remains so undefined. He largely
seems to be stuck as “oddball”. His dream job is to open a zombie
survivor fantasy camp but he doesn't have the salary to every do it.
Elaine convinces him to sublet his apartment in order to start saving
up money. Julian takes this advice but creates conflict when he moves
into Natalie's playhouse. He's forced to move out by Max but Elaine
has him sleep at Max's office. This frustrates Max but he decides to
hire Julian on the condition that he find a new place to live. It's
an okay plot but it doesn't have the same heart. It needs to be more
consistent with Julian's quirks while developing him as an actual
human being if the series wants us to root for his insane dream. I'll
admit that end tag where Julian makes a fake promotional video with
Polly and the rest of the cast was funny for a while but it got
overplayed by the end. Overall: this is a show that works when it's
able to convey a heart and that involves having to have actual human
beings to ground the plots.
How to Stand On Your Own
Two Feet is a solid episode of How to Live With Your Parents. The
main plot suffers many problems but it manages to work through them
because it has a lot of heart. It's gotten to be more consistently
funny because the characters are starting to feel more real. Julian's
plot doesn't work as well because he has yet to be fleshed out in
order to have his wacky dreams drive a narrative. Two Feet is a step
in the right direction and finally starts to prove that the series
doesn't need Natalie in the center to be good.
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