Nashville
Episode 7: Lovesick
Blues
By: Carlos Uribe
Nashville
is a series about the country music scene and the political scene of
Nashville.
Spoilers
Ahoy!
Lovesick
Blues is an episode that finally did something that the pilot
promised: it forcibly united Rayna and Juliette to professionally
work together. The head of the label company had really wanted to
combine their tours but he found two obstacles and that was the two
artists. Juliette is not only a difficult person but Rayna doesn't
like or respect her. The pilot had set up that Rayna is at the top of
the game but she's starting to fade while Juliette is a rising star
in country music. There were promises of a war and the idea that they
would be forced to come together. That didn't happen. The battle
between them largely rested on who had Deacon but it never really
worked as what we had expected. Deacon was too loyal to Rayna to ever
leave her, no matter how hard Juliette tried to seduce him away. He's
been in love with Rayna for his entire life trumped any action he was
actually getting from Juliette. The battle was only settled when
Rayna was forced to fire Deacon. That firing had nothing to do with
Juliette but rather the political part of the show. This episode kind
of makes sense on why the series was holding out on bringing them
together. Rayna's fading star and financial insecurity might have
been good enough to force them together but that didn't mean that
Juliette had a reason to go along with the tour. Her publicity
nightmare with the fingernail paint and being considered a bad
influence on the football star she's dating has caused her promising
career to take a hit. The episode had to ensure that both country
stars were in a position where they would be forced to accept this.
Rayna is black-mailed with a greatest hits album while Juliette's
only opportunity to start playing again is by playing a duet with
her. At the same time, getting to this point hasn't been the
smoothest ride. The series seemed to be moving in a different
direction than promised and that hurt the earlier episodes.
Why?
The pilot had built in the Rayna and Juliette conflict as the core of
the series. That's what the series is ultimately about: the two
trying to be at the top of the country world. This desire is
represented through their mutual dislike and disrespect towards each
other's music. This episode was therefore alive whenever it dealt
with the duet that the two have to perform at the anniversary party
of the record label. Their interactions were simply the best part of
the pilot and any subsequent episode and Lovesick Blues proves it.
Rayna's passive aggressive attitude towards Juliette's blunt
hostility help to create a tension that only these two characters can
create. That's what makes Nashville worth watching: it's seeing these
two forced to be in the same room together. I don't care about the
political sub-plot or what's happening with Scarlett or Avery. I'm
not interested to see what happens with any of the side characters at
this point. It was a bit of a shock whenever the show took the focus
back to any scenes with Teddy or Lamar and me wanting for it to
immediately go back to Rayna and Juliette. That's the heart of the
series and it's largely been missing until now. When the two are
forced to write a song together, I was glued to the screen whenever
the scene was about that. When the scene was on the sub-plot, it lost
my attention. I was literally anticipating the scene where they
performed their duet because I really wanted to see what song they
created. It wasn't half-bad but it didn't matter because what did is
that the two were pretending to like each other while on stage. The
two might even enjoy working professionally with the other but the
personal problems are still going to be there. Lovesick Blues is the
best episode in a while for Nashville simply because it found the
heart of the show and it focused on it.
The
episode also continued the two other major sub-plots. The political
plot is slowly moving forward. Coleman reveals to Teddy that he has
photographs of a meeting with Peggy that makes it look like the two
are having an affair. Coleman's terms is that Teddy drops out of the
race or he'll rock Teddy's personal life. Teddy is justifiably
worried because of what Rayna might think and because the photos
might reveal his dull financial crime. Lamar's solution is for Teddy
to start coming forward with Peggy and Rayna. Teddy does tell Peggy
about the pictures and asks her to stay away. She's not very happy
about this. Teddy doesn't tell Rayna by the time the episode ends
because he wants to wait until after the concert ends. The problem
with all of this is that it seems to disjointed from the rest of the
series. By that, I mean it's too detached from the heart of the
series. The political sub-plot works best when it directly affects
Rayna. This week is all about promising how it will affect her and
her career. It's okay to try and hype the scandal but it's not
succeeding. The political sub-plot could have been an interesting
exploration of Nashville politics but it's turning out to be a
political world that can exist on any other show. That makes it
uninteresting.
The
other sub-plot is heading in a predictable manner. Scarlett is sad
that she's broken up with Avery and there's multiple attempts at
trying to get her to get over him. Gunnar's girlfriend forces Scarlet
to go to the Blue Bird to try and have some fun. This involves
getting drunk, going up on stage and singing her favorite song, and
making out with a random guy. When a jealous Gunnar interrupts her
from going father with the random guy, Scarlett is reminded that she
seriously misses Avery. Her attempt to reconcile with him ends when
she see catches him getting dressed after sleeping with his agent.
The very agent he had promised he didn't sleep with her. While that's
all very true, Scarlett definably doesn't believe him now. The
episode ends with Scarlett telling Gunnar that she's ready to write a
song again. This sub-plot was advanced in that it was the first
episode where Gunnar's feelings for Scarlett actually manifested
itself into action. It should come as no surprise where this is
headed: Scarlett and Gunnar getting together. It's not that this
sub-plot is being badly written but it's just been done to death a
million times before.
Lovesick
Blues is the best episode of the series since the second one. It's
the first episode in a long while that shows that there is indeed an
actual television series here rather than disjointed plots threaded
together by a single city. All of this is because this is the first
episode in a while where it was what Nashville
is really about rather than some soap opera without any purpose or
sense. Now if it can somehow bring the two sub-plots closer to the
heart of the series then Nashville could really be a great drama. How
does it do this? Have the political sub-plot actually affect Rayna
and her career rather than promise that it will. It did this in one
episode and it felt relevant and part of the show's unique fabric.
Have the love triangle sub-plot be more about making it in the
industry than it already is. As you might notice, the elements to
bring the sub-plots into being more Nashville than
generic are already there. It just needs to actually concentrate on
them.
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