Arrow
Episode 7: Muse of
Fire
By: Carlos Uribe
Arrow
is a show about the Green Arrow, a vigilante who seeks justice. It is
based on the DC comic superhero Green Arrow.
Spoilers
Ahoy!
Muse
of Fire does some silly things that stop this from being an amazing
episode but it's the closest this show has gotten to greatness. The
first silly thing it does is in the beginning. Oliver is going to
meet his mother for lunch when someone comes up on a motorcycle and
shoots some guy his mom is talking to. Oliver's response is to make
sure that his mother is fine before chasing the motorcycle on
foot. That he's almost able to
keep up with it challenges the suspension of belief but that's not
what makes it silly. That would have to go with the established
information that his motorcycle is about twenty feet away from him.
He could have just gotten on the motorcycle and had his little chase
scene riding it instead of depending on his feet. If they weren't
going to have him chase her on a motorcycle, then why not show Oliver
arriving in a normal car? You can't have the character arrive in a
motorcycle, an assassin show up in a motorcycle, and then not be
surprised when the audience expects a motorcycle chase sequence. It’s
this planting of information and then not doing anything with it that
makes it frustrating. That's just not paying attention to what's
happening on the show. When you begin an episode with such a glaring
narrative oversight then it becomes slightly more difficult to get
sucked into the world of Arrow. Considering that this episode has
some of the best scenes this show has flat-out done, then that's a
large shame.
The
second silly thing drew me out of the episode for a second. Tommy has
asked out Laurel on a date but it ends with an embarrassing note.
That's because Tommy's credit card has been declined. He goes to his
father to ask why all of his wealth is gone all of a sudden. That's
when the episode makes a major reveal. The well-dressed mystery man
that talks to Moira turns out to be Tommy's father. This is a twist
that the series had been building up to but it's a bit perplexing
because Tommy and his father look like they're the same age. It's
kind of hard to buy that they have a father-son relationship when
they look more like they're brothers. Tommy is only in one scene with
his father for the entire episode so the damage was contained to just
that one single scene. I generally only like to talk about the
narrative and plot points in my review, but I'm going to take a note
to all casting agents: it's generally a good idea to not just cast
the best actor but the best actor that fits within the universe. John
Barrowman is a great actor but he's simply not right to be playing
Colin Donnell's father. It's possible that they could have given him
make-up to make him look older and it's a mistake that they didn't.
This isn't a narrative flaw as much as a production flaw that
affected the narrative.
So
if the show did these two silly things, then why is this such a good
episode? It's because of what it gets right. This is an episode that
complicates the weekly mission because it isn't about trying to bring
someone in a book justice or trying to stop active crime. Oliver
isn't happy that his mother was almost shot right in front of her
business and Oliver decides that he's going to do his best to find
the killer. Since the target of the crime was someone in the mafia,
Oliver tries to go undercover to try and figure out whose behind the
shooting. This leads him to having a dinner date with the mob boss'
daughter, Helena. Helena is actually the Huntress from DC Comics and
it looks like the series is giving her character her proper due.
Helena is the one that killed the guy even though he belonged in the
same mob as her father's. That is because she is seeking revenge on
her father because he had killed her fiance. She is acting on a
vigilante impulse just like Oliver. The scenes between Oliver and
Helena are hands-down the best this show has done. There is some
clunky dialogue and bad line deliveries in them but they don't drag
down the scenes their in. That the script still needs some work is a
sign that this show still needs work but at least it's constantly
improving.
Muse
of Fire is an episode on the verge of greatness and it's without a
doubt the best episode this show has managed to do so far. It makes
some mistakes and there are still moments where the dialogue is very
weak but this is a show that is becoming more and more entertaining
as time goes on. The scenes between Oliver and Helena are the closest
I've come to the series having my complete and total attention simply
because they're really working well with the show's themes. It's two
characters that are deeply damaged and whose convictions seriously
changed due to life-altering events. They are both seeking justice in
some form or another but it leads them to living lies and being
alone. It is because the character of Helena is so well drawn-out
that the scenes with her are able to work so well. Muse of Fire
still has many faults but it's the first episode where this show is
telling me it has what it takes to make me fall in love with it. It
just needs to find a way to be consistently good and strengthen the
scrips to weed out the bad lines.
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