666 Park Avenue
Episode 8: What Ever
Happened to Baby Jane?
By: Carlos Uribe
666
Park Avenue is about the resident managers of a supernatural
apartment.
Spoilers
Ahoy!
There is one way to stall
the plot and it's to have the character forget an important plot
point that the narrative skips over. This episode is an example of
that. It picks up 36 hours after the previous episode. Jane has been
missing for that time period and Henry is searching for her. She's
not under the building as she's soon shown at Times Square. She's
discovered by a police officer. Where has she been since the mosaic
closed on her as she's going down the spiral stairs? That's exactly
what she forgets. This leaves her with a new plot to try and remember
what happened to her as snippets of her memory filter throughout the
episode. Stalling the plot is necessary at times but it's frustrating
when it's done with this manner. When a show has a cliff-hanger that
the character is about to discover something but then glosses over
the actual discovery with amnesia, it makes it feel like the show is
wasting the audience's time. It's possible to do this right (Fringe
comes to mind) but 666 Park Avenue doesn't have the writing skills to
pull it off.
The entire plot doesn't
just stall but it misses some good opportunities. Jane is held at the
hospital for most of the episode because she's forced to be under
observation. The idea is that intense therapy will bring her memories
back. There's a character who happens to resemble Nurse Ratchet in
appearance. This means the show could have taken two approaches. The
first is to have the nurse be an actual antagonist rather than
someone who occasionally gives her pills. The second is to use the
intense therapy to reveal something about the character and make her
question her own sanity. The show doesn't even use a single therapy
scene. It instead uses Jane to find out there's a patient in the
violent wing of the hospital that knows about the spiral stair case.
All this patient gives her is a mysterious sign. I'm not trying to
write the show for the writers here. It's just that the episode
itself sets up two directions that they could have taken but it
doesn't pursue them. The show might have it's reasons and the sign
might end up being important but it simply feels like an attempt by
the writers to add more questions without answering any. The question
becomes why the mention that Jane has to go through some therapy if
you're not going to show it or why make the nurse look like she's
Ratchet if she's going to be irrelevant. The writer's intentions
shouldn't be compromised but they also shouldn't set themselves up
for plot points they're not planning to cover. The therapy might be
an excuse to keep her at the hospital but all it needed was to claim
she's under observation because it's the law. It's fine if the
writers are going to keep the plot on their point but it becomes
annoying when it hints at something much better than we actually got.
The Jane plot gives us a
simple symbol to wonder about but the Shaw plot moves forward quite a
bit. He has Shaw captured and he's trying to find the location of the
black box. During his questioning, Shaw tells Gavin that his daughter
killed herself because she had discovered that her father is a
terrible man. He makes sure to point out that his wife knows that
it's a suicide. This point is important because Gavin is able to
confirm it in a later scene. This information shakes him up but it's
kind of disappointing how short his reaction time is. It was a major
secret but the scene where he confronts his wife ends up being very
anti-climatic. It's probably a good thing that the episode didn't
really build up to that scene between the time Shaw tells him the
truth and when he confronts her. The hype wouldn't have been worth
it. Gavin is able to figure out where the red box is and he retrieves
him. He goes to finish Shaw off but finds out that he escaped. How?
He revealed a bigger bomb to Olivia. He tells her that her daughter
is still alive and he convinces her to free him so that he may lead
her to him. The scene where Olivia finds her living daughter or
discovering that Shaw played her better not be anti-climatic since
the series is actually building up to that.
The love triangle scenes
largely continued as expected but with a few twists and turns. The
turns is that Brian becomes incapable of writing when he isn't with
Alexis. Let me be more clear: he literally is blocked from writing.
His computer will freeze and his pens will dry out as soon as he uses
them. He tired to use a pencil and it broke. The only way for him to
get them to work is to go be with Alexis. The twist is that Alexis
isn't seducing him of his own free will. It was pretty clear that she
was seducing him with Gavin's help but this episode reveals that
she's actually just paying him back for a debt that she owes him.
She's starting to feel guilty about the whole love triangle she has
created. This twist does lead to a lot of questions such as why Gavin
wants Brian to leave Louise. It at least helps to center this entire
arc more into the actual series since it becomes about the high cost
of Gavin's deals. It also makes it slightly more interesting.
666 Park Avenue has a
pretty good episode. It might have some flaws but I did find myself
surprised when it ended because I thought for sure it was going to
last a little bit longer. I was enjoying myself and the series did
advance two of it's plots significantly. It might have stalled the
major one a bit and it set up two potential arcs that it could have
taken to make it more interesting but it was still pretty good. The
series is heading towards it's series finale as it's been canceled
although the finale has been altered to actually end the show and
answer most questions. This episode is an indication that the series
at least has something to go towards to.
Other Notes:
There
was a pretty prominent “Once Upon a Time” advertisement in the
Times Square section.
Whoopi
Goldburg guest stars in the next episode as a neighbor who knows a
lot about the Drake.
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